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The ’52 Tele is the lone guitar to make the transition from the old series (in fact, it was there from the beginning of Fender’s reissues back in ’82).Our tester had a spot-on butterscotch color and a less-pronounced V profile, period-specific cast jack cup, switch tip, and pickups that were punchy, with ample twang, a lot of overtones, and snap that was kind to the the product Marcus Miller P7 Swamp Ash 4 Natural Electric Bass 4-String P-Style electric bass, Body: Swamp ash, Neck: Maple, Neck attachment: Bolt-on, C-Shape neck, Fretboard: Maple, Inlays: White pearloid block, 22 Medium small frets, Nut: Bone, Nut width: 38 mm (1.5"), Scale: 863.6 mm (34"), Fretboard the product Harley Benton TE-90FLT LH VW Deluxe Series Electric Guitar Left-handed model, Chambered weight relief ash body, Bolt-on neck made of Canadian maple, Maple fretboard, Fretboard radius: 350 mm, 22 Frets, Scale: 648 mm, Nut width: 42 mm, Pickups: 2 Roswell FLT-NI Alnico humbuckers, Reversed headstock, DLX...Fender FB620 bass guitar Gig Bag E-bassgig bag, 600 Denier polyester; 20mm padding with soft touch microfiber lining, Protective neck rest and exterior bumpers, Internal/external Pin Protector strap button protection system, Super-padded ergonomic handle plus recessed grab handle, Ergonomic air... *RRP = manufacturer's / distributor's recommended retail price in Germany Mackie Thump 15A Active Speaker Equipped with: 15" High performance woofer, 1.4" titanium compression driver, 1300 W Class D power (LF: 1000 W, HF: 300 W), Amplifier with Dynamic Bass Response technology for fast transient playback and powerful bass, Integrated 2-channel mixing...Offers include 20% British VAT and are valid as long as stocks last. to the product Tone Wood Amp Tone Wood Amp Tone Wood Amp Tone Wood Amp, multieffect for acoustic guitars, effect is audible through the soundhole, no amp necessary, easy installation, the effect is kept in place through magnets, instrument input, output for amp/pa, input/output i OS device, 8 built-in effects like reverb, delay, tremolo,... Edition Silver, powerful portable battery powered outdoor speaker system, Mercus Audio Eximo 3 x 72W intelligently class-d amplifiers that reach levels up to 122d B, 2 x10" low frequency speakers 1x high frequency neodymium silk... We do not accept liability for typographical errors or inaccurate information of any kind. Please click here for international Shipping Costs and Delivery Times.

In the three decades since, the series has grown and become ever more accurate, implementing more period-correct tweaks on various models while for the most part leaving the true vintage re-creations to its Custom Shop.

Our tester ’56 Strat had a lightweight alder body with two-tone sunburst finish, one-piece maple neck with a soft V profile, era-correct knobs with a steeper slope to the skirt, era-correct bent steel saddles embossed with “Fender Patent Pend.,” and pickups that produced a pallet of classic Strat tones – throaty and round at the neck, punchy and spanky in the middle, and bright, twangy, and raw at the bridge.

The combination of the bent steel saddles, bone nut, alder body, and thin finish helped the ’56 Strat really ring.

The neck pickup’s strong output and thicker tone produced a fatter middle-position sound with tons of jangle.

The ’65 Jazzmaster was dressed with an Aztec Gold finish, bound rosewood fretboard with large pearl dot inlays, era-correct white witch-hat knobs, new pickups, and a reworked fine-tune vibrato.

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With a touch of overdrive from the amp, the bridge pickup produced a slightly aggressive, surprisingly thick-and-gritty tone along with excellent sustain (without having to pile on a bunch of amp gain).